Archive for the ‘News’ Category

What have you always wanted to ask a professional casting director or agent?

Friday, September 30th, 2011

As a new actor, it’s difficult to know what the hell you’re doing.

I don’t mean when it comes to acting — that, as you quickly figure out, is only one half of your job — but rather when it comes to working. Working and acting, you realize after some time in the trenches, are two completely different (and sometimes mutually exclusive) things.

I’ve always thought the solution to this problem is relatively simple: if you’re not sure about something, ask someone who knows. Getting conflicting opinions about what casting directors want you to wear to an audition? Ask one. Not sure whether a director wants a second audition take to be different from the first? Ask one. Wondering whether you should mail or email a solicitation to an agent? Ask one. Seems obvious, right?

As a new or emerging actor with questions about how something works, you typically have to make do with parsing conflicting opinions, showbiz folk wisdom, the occasional hard-bitten rant from an overworked industry vet, and various other forms of untrustworthy bullshit.

But like a lot of things in this business, common sense isn’t always common practise. Casting directors are busy, and easily put off by pushy actors, and agents can be notoriously thin-skinned if they feel your impatient curiosity might be criticism. The result is that information about things like etiquette and best practises doesn’t travel well between casting, agents and actors. Should you slate square to camera, or at an angle? Do casting directors like getting Christmas cards? Do agents want to see a demo reel? Can your headshot be black & white? Is doing commercials going to hurt your chances for principal roles?

As a new or emerging actor with questions about how something works, you typically have to make do with parsing conflicting opinions, showbiz folk wisdom, the occasional hard-bitten rant from an overworked industry vet, and various other forms of untrustworthy bullshit.

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Check out the new portfolio!

Tuesday, September 13th, 2011

I’ve been hard at work putting together a new portfolio for my main photography website, www.chrisframpton.net, and it’s finally done. Have a look!

chris-frampton-photography

You might notice a few familiar faces in there, and I don’t just mean celebrities. Some of my favourite pictures are outtakes from shoots with actors, and several have made it into the portfolio. It’s this kind of creative, editorial-style photography that really informs my work with all of you, and I think actors who work with me are happy to know that I’m not just a “headshot factory.”

You’ll notice a Facebook “like” button in the bottom right corner of the new site. If you like my work, I’ve recently made an official Facebook page that you can like and join, at facebook.com/chrisframptonphotographer. Thanks!

Art & Fear: An open letter to actors

Monday, January 3rd, 2011

Another year down. If you’re anything like me, New Year is a time to reflect on what you’ve been up to for the past 12 months, and to think about what your plans should be for the next 12.

2010 was a pretty unusual year for me. As with most creative industries (film & TV being no exception), photography has been in a tremendous state of flux and change. Digital imaging technology, the internet and mass amateurization have radically altered the business of photography. While there’s never been so many good images being produced, the professional value of photography has become pretty fraught.

Last March I was feeling a little burnt out from shooting hundreds of actors, arguing with old fashioned agents, and hustling for celebrity and editorial work that was paying less and less, and all the while seeing my headshot style ripped off left, right and centre.

So I shut the studio down and went on hiatus for a few months, looking for some inspiration.

Through the spring and summer I travelled to Barcelona, Greece, up the coast of Turkey to Istanbul, Bulgaria and through the countryside of Romania, to Budapest, Hungary; to the caribbean for a month to dive and write and lie on the beach, and more recently to Iceland, to spend time in the Westfjords, my ears ringing from the silence.

It’s impossible not to learn some things about yourself when you make this kind of radical change in how you spend your time. What I learned is that despite the success I had created, I had been coasting. I was doing a great job of the photography work that was coming to me regularly, but that’s all I was doing. It had become a job. I had become a craftsman, and stopped being an artist.

“Commissioned art has a way of sliding slowly and imperceptibly into commercial trade…. The challenge in such circumstances is to convince the patron that you alone know the right way to make the piece.”

- From Art & Fear, David Bayles & Ted Orland

Maybe, as an actor, you know what this feels like.

The commercial audition process can be addicting, and seeing yourself in a guest starring role in a Canadian TV show is definitely a thrill (believe me – the first job I ever had as an actor was on a cop show called Blue Murder as a former Olympic runner who gets gunned down in a case of mistaken identity. It was barely a role but it felt like I had won the lottery).

But is standing beside a Jetta with your arms crossed or playing a badly written stereotype what you picture when you think about what’s really satisfying about being an actor? When you first decided this is what you really want to do, did you envision shoring up your self esteem after losing an SOC commercial, or being afraid to call your agent even though you’re not sure what he does for you? For most actors in this city, the only really good, meaningful work they get to do is in an acting class. Is that what you thought it would be like?

Like I was, there’s a decent chance you’re been coasting too. It’s easy, in the assembly line visits to Powerhouse or the routine of your weekly scene study, to forget that you, too, are capable of and interested in making art. You are an artist. Your job, to a very large extent, is to communicate with others about your ideas, your experience and your point of view, in order for them to better understand the world they live in.

How do we forget this?

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I’m back!

Friday, July 2nd, 2010

As many of you know I’ve been on professional hiatus the past few months. Frustrated with the state of editorial photography and a little burned out on actors and agents, I closed the studio, packed a small bag, and headed off to eastern and central Europe, the Mediterranean and the Caribbean for a few months. I didn’t even take a camera.

But now I’m back in Toronto, refreshed, with a new perspective and a ton of great new ideas.

In the past year I’ve seen my powerful, unique headshot style imitated by photographers all over the city, both old and new, but this year I’m going to take things a step further, with a new personal shooting space, an exclusive schedule, and a more versatile product that’s as at-home in the digital age as it is in the world of traditional casting. I’ll also be getting back to the blog, so if you haven’t subscribed to this site (via email or RSS, in the right-hand column), I suggest you take a second and do that now.

I should be set up and shooting by the second half of July. If you’d like to schedule a session or a meeting, get in touch via email at chris@chrisframpton.net or call me at (416) 834-0840.

-Chris

The business of acting, 2010

Monday, January 11th, 2010

January is usually a pretty quiet time for the film & TV industry, and I always expect that the month is going to be a dead one for me. Of course by the third week I’m booked up with shoots and meetings and loaded with print orders. Business as usual.

Not surprising, I suppose. January is definitely a time to take a step back and evaluate what you’ve been doing for the past twelve months of your life, and specifically to make some new decisions, start new projects, and make some kind of fresh start. For actors, this is a great time of year to take some anxiety-free downtime and make plans for March and April when the industry starts to come out of its post-holiday hibernation.

A lot happened in 2009. I think we saw the business of acting take its biggest steps away from the traditional structure of casting>agents>actors and features>TV>commercials, and toward something far more remixed. Actors, casting and production are speaking directly for the first time through sites like AACTION and Casting Workbook. TV, a medium that was once completely overshadowed by features, is in the middle of an incredible renaissance. And the web is almost overloaded with viral advertising and comedy projects, both low budget and high.

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Having a demo reel is no longer optional

Monday, May 11th, 2009

Sometimes it seems like video is taking over everything. Newspapers and magazines give way to video podcasts and looping info reels on subway platform LCDs. Static websites become rich media sites. Cellphones become video cameras. Social networking sites become video sharing platforms.

Even my own business - photography - is changing into a strange hybrid of media production jobs. I spend less and less time doing traditional photography, and more and more time producing, directing and editing video projects.

The slate's in the DVD menu! How cool is that?

The slate's in the DVD menu! How cool is that?

Actors (and particularly actors agents), as usual, are slow to change, but that doesn’t mean the world around you (the world of production and casting) is too. If video is the new photography, a video demo reel of some kind is the new headshot. I can tell you from experience, having a demo is a must-have if you want to take the next step as a working actor.

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I’m casting a short comedic web series!

Monday, May 4th, 2009

Many of you know that in addition to being a PDN award-winning image maker, I’m also a two time almost-ran novelist, former feature writer for the Toronto Star, failed M.O.W. writer, former actor in terrible cop shows and commercials both national and international, and that I also own a brand new digital production company called Flyweight Films that creates short films for the web, and which has already had some great press like a mention on Time Magazine’s Nerdworld blog.

Well guess what? This year I’m writing, producing and directing a comedic web series called Act Natural, and I’m ready to cast the pilot episode! Woo!

Act Natural is an original, dry comedy series about the surreal world of commercial actors. It follows the lives of three less-than-perfect actors with visions of success but very different viewpoints as they try to make careers for themselves in film & TV.

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Get a deal on headshots when you refer people

Thursday, April 2nd, 2009

I’ve wasted a lot of money advertising this business. I once spent a thousand bucks putting a half page colour ad in the ACTRA newsletter, advertised in student handbooks, and even done seven foot tall graffiti-style pasteups around the city in an effort to get people thinking a little more critically about their headshots.

If you’re a returning client, 10 referrals would mean $150 off the regular session price with the returning client discount

You know what I got for my efforts? Tire kickers, models wanting free portfolio work, and angry skeptics. If I’ve learned one thing from buying advertising it’s that this business is all about referrals.

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Headshot shouldn’t be a dirty word

Tuesday, March 17th, 2009

Shooting actors for casting is a strange and particular thing to find yourself doing as a photographer. New photographers tend to think it’s one of those throwaway things they’ll do until they get established in fashion or editorial — in fact the term “headshot” has become almost synonymous with any generic, easy-to-produce utility picture, whether the person in it is an actor, a real estate agent, or in business. “You’re a headshot photographer” is basically an insult in the world of professional photography.

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